A little light digging tells us that this is “Sun-Spider” Charlotte Webber (voiced by Danielle Perez), a relatively new addition to Marvel Comics who has the connective tissue disorder Ehlers-Danlos Syndrome. Spider-Man: Across the Spider-Verse has great representation of all kinds, including disability representation through a kick-ass member of the Spider Society who uses web-shooting crutches and a wheelchair as mobility aids. While most of us were able to get past the inconsistent audio balance by craning our necks and concentrating on the dialogue, that doesn’t mean that this issue would be so easily rectified for everyone. According to Slash Film, however, Lord also admitted that the filmmakers did “favor music to get your heart racing,” so we can see how perhaps the movie’s audio balance was slightly neglected in order to showcase the killer soundtrack. Lord even said that he made stickers to send to projectionists to help ensure that the movie would be played with the correct sound mix. Across the Spider-Verse producer, Phil Lord, responded to the widespread audio complaints, saying that he is aware of the issues and that if theaters are playing the movie with the requested sound levels, everything should be fine. However, especially in an animated movie, where every sound, like every image, has to be created from scratch, it seems like a huge oversight that the final cut made it to theaters and people are struggling to hear what the characters are saying. ![]() ![]() Making a movie means that you’re juggling a thousand moving parts at once, and most of us can only imagine how hard it would be to make sure that every part gets the attention that it needs. The filmmakers crammed about as much humor, heart, and of course, Spider-People, as they could into the two-hour run time, and the whole thing is presented with some of the most mind-blowing animations we’ve ever seen. First and foremost, nobody can deny that even despite some audio issues, Spider-Man: Across the Spider-Verse is a phenomenal movie.
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